I have been an Interpretive Planner for museums around the world for over 30 years. When I started in 1992, the term was rarely used. Family and friends still ask: “What is it exactly that you do?” So I thought I would look back over my 30 years in museums, zoos, aquaria and heritage sites to pick out some of the favourite exhibits that I have worked on as a way of explaining the process of interpretive planning and what it is. Here we look at the AIA Archives in Hong Kong.

We were asked by HSBC Archives to provide some replica artefacts for their Global Connections gala dinner in Singapore’s National Gallery.

I have been an Interpretive Planner for museums around the world for over 30 years. When I started in 1992, the term was rarely used. Family and friends still ask: “What is it exactly that you do?” So I thought I would look back over my 30 years in museums, zoos, aquaria and heritage sites to pick out some of the favourite exhibits that I have worked on as a way of explaining the process of interpretive planning and what it is. Here we look at the Goldfish Treasures Ocean Park in Hong Kong.

I have been an Interpretive Planner for museums around the world for over 30 years. When I started in 1992, the term was rarely used. Family and friends still ask: “What is it exactly that you do?” So I thought I would look back over my 30 years in museums, zoos, aquaria and heritage sites to pick out some of the favourite exhibits that I have worked on as a way of explaining the process of interpretive planning and what it is. Here we look at the Qingming Scroll exhibit in the Hong Kong Wetland Park.

I have been an Interpretive Planner for museums around the world for over 30 years. When I started in 1992, the term was rarely used. Family and friends still ask: “What is it exactly that you do?” So I thought I would look back over my 30 years in museums, zoos, aquaria and heritage sites to pick out some of the favourite exhibits that I have worked on as a way of explaining the process of interpretive planning and what it is. Here we look at an exhibit in a Tai Kwun prison cell.

The Hong Kong Standard featured our newly opened project CLP Pulse. Quotes include: “The exhibitions aim to showcase the significance of CLP’s development to the modernization of Hong Kong and its smart city development, the Kadoorie family’s connection to CLP and the city, as well as a range of local intangible cultural heritage items. Visitors can learn about energy planning and climate change through a range of interactive games and immersive experiences.”

You can read the whole article here.